According to the Theaterkrant, this original duo gave a confident middle finger to their motherhood doubts in their previous show. This time, Vlamousse takes the stage as, yes: new mothers.
One, Brigitte van Bakel, had a child with her husband completely according to the picture-perfect scenario, and the other, Maya van As, pioneered and inseminated her way as a queer person to a rainbow family. Two completely different stories with one common denominator: the child itself is fantastic, but the whole mess surrounding it is a complete disillusionment.
As children of the '90s, they grew up with rom-coms about romantically conceived children, attachment-free births where no one poops themselves, and men who constantly sigh about how beautiful you are. In short: a lie. It's time for a new example. A good example. So that no one enters parenthood so ill-prepared again.
Mercilessly honest and with great hilarity, Vlamousse tackles the reality of young mothers: the birthing class that said your body is made for childbirth, the idea that breastfeeding is a painless gift of nature, and the conviction that you can only be a real mother if you have given birth yourself.
The Good Example is an imaginative, musical, and razor-sharp show for new mothers, pregnant mothers, mothers-to-be, never-mothers, older mothers, queer mothers, non-biological mothers, and fathers. So, all kinds of parents. And childless people who enjoy schadenfreude.
★★★★ "Vlamousse once again pulls countless irresistibly creative scenes and sketches out of the bag" – Trouw
"Strikes exactly the right chord" – Theaterkrant
★★★★★ "A modern performance, straight to the point, no clichés, but the raw story" – Theaterparadijs